My obsession when I was kid, from '85 into the '90s, was Gianni Versace. It was Helmut Lang. It was Margiela. So I said, "I cannot have Givenchy only as a luxury house; I'm going to introduce products for everybody, things that are reachable."

I've had this sensibility since I was a child. If there was a black boy in the school, I was the friend. If there was an effeminate guy, I was the friend. If there was somebody who was poor like me, I was the friend.

Couture is more your own world, they come and buy head-to-toe ­ - they buy the jewelry, bags, coats, dresses, bodies underneath.... But couture is not dead ­ - it's taken another shape.

For me, darkness is something very beautiful.

I suffered a lot when there was, like, a birthday party and I was not invited. Not because I was ugly or stupid; I was not invited because the parents would say to the kids, "Don't invite him, because he's poor and he comes from the south of Italy, and he can't give you nothing."

I can give a beautiful present, and that may change the lives of people around me.

Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"