I am very happy at Givenchy and it is a moment in which I am bringing the game to the next level. I feel at home. It's as if it were my son. I don't know how to explain it. It would be very difficult for me to leave.

I like when a man has one strong accessory. If it's a watch, it has to be major. If you have strong shoes, it should just be the shoes. I don't like when a man is overdone-that's just bad taste. Coco Chanel was always saying you have to watch yourself in the mirror, put on a lot of things, and then take them off. I think it should be that way for men as well.

Every two to three weeks, I was changing around my room. My room was made out of nothing, basically - a magazine, a little radio, a little bed - and I had the sensibility to put things together and match things in a certain way so that they were very special.

I am super-Italian, not even European - Italian. And this is very precise. It's like houses. Over time they stabilize themselves in the terrain. I am still at the first step of a long staircase.

I tried to never exclude people. I know what it means to be left out.

For me, darkness is something very beautiful.

For me, creating the clothes of Givenchy is the way to make my tribe. It's related to religion, too, because it's people trying to find identity - the young generation is looking for tribes. You have the hip-hop tribes, the punk tribes, the rockers, you have the hipsters, the bourgeois ... The fact of the tribe is that it's like a religion. Punk is like a religion, because it's a belief.