I've got what I want, and I've got the luck to express myself and to be paid and to do what I do as a creative person.

I started to draw and design clothes that I couldn't find, because everything was all luxury, fashion clothes or very straight. So I mixed all of that together: Who says I can't put a man in a skirt? Who says that a man can't wear lace? Who says that men can't wear Swarovski? Who says that men can't wear makeup? You know what I'm like; for me, straight, gay, women, men, trans, we're all the same. I don't see difference.

When I went to England, to Saint Martins, I was traumatized, in a positive way. It was that British sense of transgression and the dark. Then when I went to Paris, I was doing couture, which everyone was saying was finished. Bullshit! For me, in the end, it was all a mixing of ingredients.

We are Italian. We are all little tribes - not only in fashion, but also in music - in everything, basically.

I didn't want to dress anyone in the beginning, no celebrities. Then, very slowly I started with one, two, like that. There are some celebrities whom we dress because they are part of the family. They are women I admire. I don't care how famous she is, if she is at the movies or in a concert.

I like when a man has one strong accessory. If it's a watch, it has to be major. If you have strong shoes, it should just be the shoes. I don't like when a man is overdone-that's just bad taste. Coco Chanel was always saying you have to watch yourself in the mirror, put on a lot of things, and then take them off. I think it should be that way for men as well.

One thing my mom didn't want any of us to do was to cry or to complain about life. Every day and night, even when we didn't have much food, we would pray together. And that for me was a beautiful moment. The fact of being poor didn't really hurt me.