This is very much part of my style, I work a lot on the back ­ - I love the back of clothes for men. I love even T-shirts printed behind. I think, "Why do you want to show only the front?"

My truth is this: That I don't know what will happen tomorrow because you can never know.

I didn't invent hot water. But when I approach menswear, I do it in a very honest way. And my menswear and womenswear are very similar, in the sense that I put men in leggings and lace shirts.

Couture is more your own world, they come and buy head-to-toe ­ - they buy the jewelry, bags, coats, dresses, bodies underneath.... But couture is not dead ­ - it's taken another shape.

Even though I had a fantastic family, I always felt lonely - not lonely in the melancholic way but knowing that, to really survive, I have to do everything for myself. I had to work and study, and I was out in the street really surviving, bringing food back home.

I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.

My obsession when I was kid, from '85 into the '90s, was Gianni Versace. It was Helmut Lang. It was Margiela. So I said, "I cannot have Givenchy only as a luxury house; I'm going to introduce products for everybody, things that are reachable."