There's always been a separation between fashion and what I call my 'deeper' work. Fashion is where I make my living. I'm not knocking it. It's a pleasure to make a living that way. It's pleasure and then there's the deeper pleasure of doing my portraits. It's not important what I consider myself to be, but I consider myself to be a portrait photographer.
Richard AvedonWhen I was a boy, my family took great care with our snapshots. We really planned them. We made compositions. We posed in front of expensive cars, homes, that werent ours. We borrowed dogs. Almost every family picture taken of us when I was young had a different borrowed dog in it.
Richard AvedonA portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.
Richard AvedonCamera lies all the time. Itโs all it does is lie, because when you choose this moment instead of this moment, when youโฆ the moment youโve made a choice, youโre lying about something larger. Lying is an ugly word. I donโt mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.
Richard AvedonA photographic portrait is a picture of someone who knows he's being photographed, and what he does with this knowledge is as much a part of the photograph as what he's wearing or how he looks. He's implicated in what's happening, and he has a certain real power over the result.
Richard Avedoni'm beginning to feel like this. caught the incredible sunshine just in the nick of time today on my walk. the wall of rain approaching from the west desert was pretty spectacular, too. along with being gorgeous, it was sooo muddy. which made driving home in no shoes so very fun :) if only i could post photos here! a picture is worth a thousand words, yes? If a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up.
Richard AvedonSnapshots that have been taken of me working show something I was not aware of at all, that over and over again I'm holding my own body or my own hands exactly like the person I'm photographing. I never knew I did that, and obviously what I'm doing is trying to feel, actually physically feel, the way he or she feels at the moment I'm photographing them in order to deepen the sense of connection.
Richard Avedon