I have a strong spiritual commitment, and I try to express that in my work. Salvation cannot be worked out in human terms. The point of my writing is to touch upon the systematics of prayer and on how we arrive at a method of achieving spiritual coherence in our lives.

I've been in the art world for many years. But the sad fact is that most writers are visually prepubescent. Generally speaking, the literary world is provincial when it comes to matters of art. And it always has been.

When you're reading my book, you're not in a four dimensional continuum, you're in my continuum, the Grossman continuum.

I have a strong spiritual commitment, and I try to express that in my work. Salvation cannot be worked out in human terms. The point of my writing is to touch upon the systematics of prayer and on how we arrive at a method of achieving spiritual coherence in our lives.

I love grand scale. One of the things that everybody mentions is that my novels are beautiful objects in the sense that the elements of the actual book are being extruded and re-contextualized.

If there is anything unique about my writing it is the way that I combine poetry and prose, not just on the level of having a poem here, prose there, but that it really is a true amalgam.

My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.