I have a strong spiritual commitment, and I try to express that in my work. Salvation cannot be worked out in human terms. The point of my writing is to touch upon the systematics of prayer and on how we arrive at a method of achieving spiritual coherence in our lives.

I don't think that brutality and idealism are mutually exclusive. It's a common denominator in my work - rabid idealism.

When you're reading my book, you're not in a four dimensional continuum, you're in my continuum, the Grossman continuum.

I think that life is incredibly violent and that individual people are incredibly violent on one level or another. I don't try to change life to suit my writing; in a certain way I'm a naturalist of the nineteenth century school.

Salvation is an individual relationship with God. I've always considered myself to be a devotional poet, and I consider myself to be a devotional novelist.

I've been in the art world for many years. But the sad fact is that most writers are visually prepubescent. Generally speaking, the literary world is provincial when it comes to matters of art. And it always has been.

My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.