I'm a staunch civil libertarian; I really believe that the individual is more important than any societal value.

I think not in two or three dimensional terms but in five dimensional terms when I consider a novel. There's height, width, and depth, there's the time factor, and then there's the factor which I call the cerebral factor of the reader, the way the reader adjusts to all the other dimensions, which is the fifth dimension.

The problem with American democracy is the American corporation, which is a slave holder construct, pure and simple. It's totally invasive, and people are as tightly controlled within the walls of a corporation as they are in a totalitarian society.

My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.

I don't think that brutality and idealism are mutually exclusive. It's a common denominator in my work - rabid idealism.

When you're reading my book, you're not in a four dimensional continuum, you're in my continuum, the Grossman continuum.

I love grand scale. One of the things that everybody mentions is that my novels are beautiful objects in the sense that the elements of the actual book are being extruded and re-contextualized.