When I see a salt and pepper standing next to a bottle of ketchup, to me that's obviously a parent and two children, you know? Isn't it for everybody?

Everyone has a burden, everyone has some baggage they're carrying.

I'm always projecting onto objects like they're alive in some way.

The drawings need to be strong enough to stand alone, and not just work as part of a sequence.

I come from more of a sculptural background so I think of the form before anything else.

There's a satisfaction in seeing something happen over time.

I guess the anthropomorphising is something I've done all my life.