The drawings need to be strong enough to stand alone, and not just work as part of a sequence.
Everyone has a burden, everyone has some baggage they're carrying.
There's a satisfaction in seeing something happen over time.
I'm always projecting onto objects like they're alive in some way.
I guess the anthropomorphising is something I've done all my life.
I come from more of a sculptural background so I think of the form before anything else.