I know what it means to sit in that chair for four or five hours. For me, it's actually thrilling because I get to know something that I'm not used to. The others do that every working day. It's a real commitment, not only in terms of acting in front of a camera, but just in order to get there.

I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.

If you have a big idea, you can do 10% of it, and then maybe, if it's a huge success, you might go all-in [in Europe]. Here [in U.S], you go all-in earlier. You risk more and you get more, so you do more. That's what I like.

If I do a lot of television, than I miss theater. If I do a lot of theater, than I miss film. This global thing of performing arts gives me strength.

I've met a lot of actors who have three dreams: You dream of making a sci-fi, you dream of making a Western and you dream of making a vampire movie. So this is one of my life-dreams as an actor coming true.

I have a cultural background that's shaped in England, France and Germany. Bringing that in is nice, in terms of how an actor plays a role or speaks in an interview.

I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.