I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.

It's a very beneficial experience for me that America has started to be interested in me. I get offers here, and I'm very open to having a new spring in my career here.

I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.

If I do a lot of television, than I miss theater. If I do a lot of theater, than I miss film. This global thing of performing arts gives me strength.

I would say, in humanity, there is some unbreakable element that makes us so special, and I would call that hope or a belief in something better. It's something that drives us.

I know what it means to sit in that chair for four or five hours. For me, it's actually thrilling because I get to know something that I'm not used to. The others do that every working day. It's a real commitment, not only in terms of acting in front of a camera, but just in order to get there.

If you have a big idea, you can do 10% of it, and then maybe, if it's a huge success, you might go all-in [in Europe]. Here [in U.S], you go all-in earlier. You risk more and you get more, so you do more. That's what I like.