I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.

I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.

I have a cultural background that's shaped in England, France and Germany. Bringing that in is nice, in terms of how an actor plays a role or speaks in an interview.

If you have a big idea, you can do 10% of it, and then maybe, if it's a huge success, you might go all-in [in Europe]. Here [in U.S], you go all-in earlier. You risk more and you get more, so you do more. That's what I like.

I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.

The fact that I speak five languages is just a plus. I do not try to speak every language I know, in every movie. It must make sense. But, the fact that it's available gives a nice back-up.

I can bring in experiences that other actors who only grew up in television do not have.