Most actors, unless they're big movie stars and can carve out huge chunks of time to focus on one movie that takes six months - the rest of us have to jump around to make ends meet.

I mean everyone, from Al Pacino to Murphy Guyer, are phenomenal actors.

I didn't expect NBC would be at all thrilled about me, because the year before the West Wing I had rejected a pilot at the last minute and got them very upset. I ended up not coming to the casting - in fact it happened four different times because I just wasn't convinced that I wanted to do television.

I love my wife but sometimes not so much. Frustration and fights can muck up a good thing. And just when a thing can move past differences and into the realm of peace and prosperity, another thing - an old idea or new interpretation or any spark that relights the paradigms that comfort us - will keep us where we are, where it is safe.

The political nonsense of network television and the culture of a set and all the problems that that can create, I can take. I can't take betraying the truth of what I'm doing. It cuts to the absolute core of everything that I do in the craft, in this world that I live in.

I turned down a lot of things - some very lucrative - because I could afford to at that time. That didn't lead to a happy place. I was happy to spend time with my family, get to know my daughter, who was born during The West Wing.

I was doing a play out in L.A. 20-some-odd years ago called 'Goose and Tomtom' by David Rabe, and somebody saw it and the next thing I know I'm doing the table read of the film version of 'Glengarry Glen Ross' with Al Pacino and Jack Lemmon - one of the great films of our generation.