I would love to be in the position where the role is challenging enough that I need three months to prepare for it and then six months to live the life of character.

There's a genetic memory that stays on your bones. What you experience when you're young, I think it stays with you.

We are often too late with our brilliance. We are on time delay. The only instant gratification comes in the form of potato chips. The rest will find us by surprise somewhere down the road maybe as we sleep and dream of other things.

Things happen to us and reaction is sometimes tough to measure.

I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.

Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.

Families are like puzzles. They fit together in a certain way, and if one piece is missing, it throws everything off.