Everybody is a critic, everybody has a voice, everybody can reach you. Everybody is an expert and that's what makes it fun.

I was making sure everyone knew Crabtree was a mediocre receiver. And when you try the best corner in the game with a mediocre receiver, that's what happens. I appreciate that he knows that now.

My brother & I have always said that to write a song, it takes all the experiences of your life, plus the time it takes to write it! To be specific, yes, sometimes a song takes place in one session - together in one day.

Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.

I don't want to be an island. I want to be more of a tourist attraction. You stop here, I take your money and you go.

I'm the best corner in the game. When you try me with a sorry receiver like Crabtree, that is the result you are going to get. Don't you ever talk about me.

All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.