Sometimes, months elapse before we've completed the song completely. There's no set rule. Something inside of you says - 'now you can present it!' If one of us feels it's not quite right, lyrically or melodically, we don't present it.

Good, bad or indifferent, I'm transparent with my opinions and what I believe. I just don't think in politics you can be that way.

He did look like the Monopoly man, but it was smooth. I thought he was going to pull a monocle out. That would have been awesome. And did you see the pocket watch? That was incredible.

We’ve been in all the big games, we’ve been in small games, and we’ve treated them all the same and I think that mentality is what’s helped us get to the point where we are now.

I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.

Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.