But people find it easy to take shots on Twitter, and to use racial slurs and bullying language far worse than what you'll see from me. It's sad and somewhat unbelievable to me that the world is still this way, but it is. I can handle it.

Anytime you run a gimmick offence, you're a little bit afraid - you're not sound in what you're doing in your base stuff.

My brother & I have always said that to write a song, it takes all the experiences of your life, plus the time it takes to write it! To be specific, yes, sometimes a song takes place in one session - together in one day.

He did look like the Monopoly man, but it was smooth. I thought he was going to pull a monocle out. That would have been awesome. And did you see the pocket watch? That was incredible.

Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.

Both criticism and praise is part of putting yourself out there.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.