First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.

There are a lot of things my mother taught me and helped me and disciplined me and made sure I stayed on the right track. And there are a ton of things that only my father could have taught me.

The edge came from the slights I've had throughout my life, the slights I have dealt with through the entirety of my life. It wasn't one day when somebody said something and that made me upset and now I'm over it. I'm not going to stop playing with an edge because that's what got me here. That's just how I play the game. I can't play any other way.

I'm the best corner in the game. When you try me with a sorry receiver like Crabtree, that is the result you are going to get. Don't you ever talk about me.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.

Sometimes, months elapse before we've completed the song completely. There's no set rule. Something inside of you says - 'now you can present it!' If one of us feels it's not quite right, lyrically or melodically, we don't present it.

A lot of people have been asking whether I would ever go into politics. I'm not sure I would.