Though it's frequently portrayed as this crazy, unbridled festival of rain-soaked, stoned hippies dancing in the mud, Woodstock was obviously much more than that - or we wouldn't still be talking about it in 2009. People of all ages and colors came together in the fields of Max Yasgur's farm.

Though it's frequently portrayed as this crazy, unbridled festival of rain-soaked, stoned hippies dancing in the mud, Woodstock was obviously much more than that - or we wouldn't still be talking about it in 2009. People of all ages and colors came together in the fields of Max Yasgur's farm.

My mother's family came from the British West Indies. And my father's family came from, well, my father's father came from the Montana/South Dakota area. They were Blackfoot Indian.

When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.

I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.

I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.

Woodstock was not about sex, drugs, and rock and roll. It was about spirituality, about love, about sharing, about helping each other, living in peace and harmony.