I think a novelist must be more tender with living or 'real' people. The moral imperative of having been entrusted with their story looms before you every day, in every sentence.

It is a kind of church, back in these last cores. It may not be your church -- this last one percent of the West – but it is mine, and I am asking unashamedly to be allowed to continue worshipping the miracle of the planet, and the worship of a natural system not yet touched, never touched by the machines of man. A place with the residue of God – the scent, feel, sight, taste, and sound of God – forever fresh upon it

Ive lost much of my heart and the spark or fire that once created, or produced, the art of fiction.

Fit in where you don't: make your own space..be different..don't give in. Exist somewhere you're not suppose to, or where you don't want to. Be your own men; do what you want, and don't hurt anybdoy

A novel that features real people is complicated, but in the end, that extra challenge is all for the good.

The future's so random, and so mobile, there's no way you're going to get to your vision of what you want your community to be just by chance alone. I really believe you have to let people know, to use your voice, to say, 'this is what I like about my place, I want to keep it this way, this is what I think can be improved, this is what I disapprove of.' That's the only way you can have a part in shaping the future.

Fiction is harder for me than nonfiction - more gratifying, as a result, when it succeeds.