My problem has been with purely digital films. I feel the danger there is that the kind of short-cuts you end up having to take are the ones that are most telling in the main characters.

I never feel like I'm the guy that's got all the answers.

The advantages of a virtual production pipeline are that you can reduce the footprint of your production down to the size of the stage.

You gain wisdom and you don't make the same mistakes.

A successful director is someone who has the combination of skills that you can learn, but there's also an intuitive sensibility that they bring to it, that they've developed on their own and that is singular to them.

One of the things I've always tried to do in filmmaking is that you don't tell the story, you try to show it.

In a lot of cases, you think that the art director and the production designer designed and built this amazing set, when in fact they only built part of it and were able to extend it using all of this fabulous technology.