No doubt Carter would describe the underground city in excruciating detail, with exact measurements of each room, boring history on every statue and hieroglyph, and background notes on the construction of the magical headquarters of the House of Life. I will spare you that pain. It's big. It's full of magic. It's underground. There. Sorted.

Ptah? son of ptooey? What is he god of spitting? i asked

Well," I said. "If you need me, I'll be outside, playing with sharp objects.

No!" Leo yelled. "Uhhh," Nico groaned from the floor. "Piper!" Jason cried. "Monkey!" Frank yelled. "Not monkeys," Hazel grumbled. "I think those are dwarfs." "Stealing my stuff!" Leo yelled, and ran for the stairs.

I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.

I try to craft books that are fun, that are sort of subversively educational so kids learn but they don't really feel like they're being lectured to, and I want kids to always finish one of my books and think, "That was great, where's the next one?"

Back when I was on my first assignment as a seeker, I was way out in Arizona. Brought in this kid named Clarisse.” “Clarisse?” “Sibling of yours,” Hedge said. “Ares kid. Violent. Rude. Lots of potential.