I assure you, Constable Morgan, I am quite sane, as I understand the word, perhaps the sanest person in this room, for I suffer from no illusions. I have freed myself, you see, from the pretense that burdens most men. Much like our prey, I do not impose order where there is none; I do not pretend there is any more than what there is, or that you and I are anything more than what we are. That is the essence of their beauty, Morgan, the aboriginal purity of their being, and why I admire them.

Our enemy is fear. Blinding, reason-killing fear. Fear consumes the truth and poisons all the evidence, leading us to false assumptions and irrational conclusions.

The kid who didn't go back when he should have and now goes back when he shouldn't. The kid called Zombie, who made a promise, and if he breaks that promise, the war is over - not the big war, but the war that matters, the one in the battlefield of his heart. Because promises matter. They matter now more than ever.

It isn't that the lies are too beautiful to resist. It's that the truth is too hideous to face.

The next time you better have a good reason," I tease him. "Okay." He kisses me again. "Reason?" I ask softly. "Um. You're really pretty?" "That's a good one. I don't know if it's true, but it's good.

She looks at me out of the side of her uncovered eye. "Chess, Zombie: defending yourself from the move that hasn't happened yet. Does it matter that he doesn't light up through our eyepieces? That he missed us when he could have taken us own? If two possibilities are equally probable but mutually exclusive, which one matters the most? Which one do you bet your life on?

When I cry - when I let myself cry - that's who I cry for. I don't cry for myself. I cry for the Cassie that's gone. And I wonder what that Cassie would think of me. The Cassie who kills.