One of the reasons I don't like to use the word "tricks" , I do think of them as theatrical pieces, and as pretentious as that might sound, there's a real reason for it. It's not the idea of tricking you; it's the idea of taking you along on this particular journey the way you would in any other theatrical situation. But, hopefully, you're going to be fooled at the end.

Not only do I lie, I take real pleasure in lying, in the transmission of magic effects.

I certainly was performing before my writing was published, because I was performing when I was very young. And the thing is I'm very comfortable on stage, so a large portion of my act did come from ad-libs.

I think the toughest thing about being an actor in a film is to be with a director who doesn't know what they want. And that can be really, really frustrating.

That's one of the ways language evolved, by some very obscure form becoming common usage. And I must say that I'm very intrigued by use of language and slang, and criminal underground terms.

I know absolutely nothing about the 20th Century.

Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.