Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.

I'm not criticizing Hollywood because I work there, I partly live there. But I'm saying this is the way it is, commerce is taking over art. Commerce has become the most important thing in the film industry. Hollywood is an industry, it's not an art form, therefore they have to address the bottom line. But in a way it's sad when you get a remake, isn't it?

That's a heavy word, but picking up a newspaper every day, how can you not despair at what's happening in the world, and how we're represented as human beings? The disappointments and corruption are dismaying at every level. And the biggest source of evil is of course religion... Everyone are tearing each other apart in the name of their personal god. And the irony is, by definition, they're probably worshipping the same god.

I always say to people when I'm trying to get something going, bringing on other producers or other directors, "You can think of 95 reasons why not to make a movie. You've got to address why you want to make the movie and get it done. Just do it." I tend to live by that rule.

I want to make films about the human condition, what we're doing to the world or ourselves.

I watched Someone to Watch Over Me the other night. I thought it was a really good movie. It's a great movie.

I was a very earnest, hard working boy at school, but my parents were distressed because I was always bottom of the class. But I wasn't dilatory, I worked like crazy.