In fact, sometimes traveling the world is a way of not writing a poem, but it's the quality of experience. It's being able to experience something and when you begin to write about it be able to apply the tools that you need for writing.

It's unfortunate that sometimes in schools, there's this need to have things quantified and graded.

I was pirouette and flourish, I was filigree and flame. How could I count my blessings when I didn't know their names?

My favorite poets may not be your bread and butter. I have more favorite poems than favorite poets.

I think that when a poem can move readers across generations and across its specific class or race then it becomes truly classic.

From the time I began to read, as a child, I loved to feel their heft in my hand and the warm spot caused by their intimate weight in my lap; I loved the crisp whisper of a page turning, the musky odor of old paper and the sharp inky whiff of new pages. Leather bindings sent me into ecstasy. I even loved to gaze at a closed book and daydream about the possibilities inside.

If the poem is so moving that even if you have no experience in that particular setting be it 1920's Harlem let's say. You still are so moved that you can put yourself in that position. That means that the writer has managed to go beyond the personal and touch the humanity in all of us and it's really a blast to read it because I realize how that this does hold true for the truly great poems.