The matter with human beans," the BFG went on, "is that they is absolutely refusing to believe in anything unless they is actually seeing it right in front of their own schnozzles.

I regard each sentence as a little wheel... Now and again I try to put a really big one next to a very small one in such a way that the big one, turning slowly, will make the small one spin so fast that it hums. Very tricky, that.

I asked my mum, who's a very clever psychotherapist, and she says that kids love stories about death; they need it, they need to have stories that deal with death and explain it, as a place to put their fears.

Homesickness is a bit like seasickness. You don't know how awful it is unti you get it, and when you do, it hits you right in the top of the stomach and you want to die.

The witching hour, somebody had once whispered to her, was a special moment in the middle of the night when every child and every grown-up was in a deep deep sleep, and all the dark things came out from hiding and had the world all to themselves.

You'll never get anywhere if you go about what-iffing like that.

There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.