My looks have prevented people from seeing my work.

['John F. Kennedy] movie is based on a massive best-selling book, which is always helpful. And then the script was amazing and answered my question, "Why this? Why now?" And the "why now" is that it's 50 years since the assassination, and the country needs to have and will have a conversation about that. And the "why this" is the construct, which I think is sort of ingenious.

It's the media that take an isolated incident and make it a deciding factor in a presidential campaign, as opposed to the real issues, like abortion, the homeless, the deficit. The same is true with actors and their lifestyles.

Francis [Ford Coppola] was on the cover of Time Magazine for One From The Heart and for owning a studio, and he was fresh off of Apocalypse [Now] and The Godfather films, so he was at the absolute top of his game and legend [in The Outsiders ].

I kind of pride myself on coming onto things that are well-oiled machines and finding a way to bring what I bring and fit in, and raise it to another level if I can. And this [Code Black ] has been another one of those really fun success stories, much like Parks And Recreation, although obviously on the other side of the comedy/drama equation.

William Devane was amazing [ in The Grinder] - that we were able to reinvent an acting legend as a comedy star - that's very gratifying.

I think that in today's world the right to privacy and freedom of the press are set on a collision course.