When I was young and crazy, I was young and crazy. It can be hard enough just to BE in your teens and 20s. Then add fame, money, access, and every single person telling you that you're the greatest person who ever was, and it can be a recipe for disaster. Some people literally don't survive it.

When people consent to do something, they should be able to do whatever they want.

I don't think you have to be perfect to be a role model.

Some of the '80s movies I did are sort of museum pieces. St. Elmo's Fire is great as a sort of kitschy, "Oh, my god, I can't believe we wore that" type of movie.

What kind of person would run for president of the United States in today's political climate? It would have to be somebody who's never really been drunk in public, who's never had an affair, who never shoplifted when they were a little boy, who never had any sort of counseling at all. I just don't know how you go through your life meeting people, experiencing everything you can, trying to absorb, and not make some of those mistakes. It's impossible.

Being pulled that long and that hard for a 12-hour day gave me migraines. It's what they used to do before there were facelifts for actresses – you know, Joan Crawford's whole career was this. Then the makeup is like Earl Scheib auto body paint sprayed on my face.

[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.