I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."

I know, there are so many great lines [in Tommy Boy]. People say to me, "Did you eat paint chips for a living?" Or, "These shoes are worth more than your life." And the one I get all the time is, "Brothers don't shake hands, brothers gotta hug!"

In no way would I ever assume when I meet some girl that she wants to sleep with me; that doesn't enter my mind. I think somebody who did assume that would be such an insufferably arrogant person that you couldn't be around him.

[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?

I wouldn't go back on my old days, though; everybody needs to have their wild years. It's just a question of when and I'd rather have had them early than be doing it as a mid-life crisis type thing.

I'm thinking of how unexpected and yet oddly preordained life can be. Events are upon you in an instant, unforseen and without warning, and often times marked with disappointment and tragedy, but equally often leading to a better understanding of the bittersweet truth of life.

[Ed Lauter] was an actor's actor. I love working with that class of actor. You know, they come in, they do it, no bullshit. There's no artifice, there's no fanciness, they're just honest and tough and direct.