I wouldn't go back on my old days, though; everybody needs to have their wild years. It's just a question of when and I'd rather have had them early than be doing it as a mid-life crisis type thing.

I was sick of playing high-school kids. I liked being a teenager, but I would not go back for all the tea in China.

David Mamet, Tim Kazurinsky, and Denise DeClue, who adapted [ About Last Night]. Between the three of them... I mean, it's always down to the writing. You're only as good as your writing.

[Doctor Cukrowicz] was basically a role where you have two diva actresses - Maggie Smith and Natasha Richardson - and my role was to say, "And then what happened? Tell me more." But I wanted to do it was because a) it was Tennessee Williams, a great writer, and b) it was Richard Eyre, an amazing director. And to work with those two amazing women!

[Maggie Smith] brings new meaning to the phrase "doesn't suffer fools." She has just the most amazing, dry timing of anyone ever, I think. I think everyone's always known about it, but with her resurgence on Downton Abbey, a whole new generation has been introduced to it, which is just great.

As an actor, you deal in fantasy, imagination, and concentration. Those are your three weapons. Those are your bullets.

We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.