I don't look back with any bitterness, though there are a couple of judgment calls and some '80s hairdos that I'd like to do over.

We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.

I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.

If people find me attractive, it would be for reasons that anybody finds anybody attractive. It's something that comes from within, and it manifests itself physically.

Mostly people are interested in how somebody becomes an actor. And then, if they've had a couple of drinks, they want to know what Demi Moore's like or whatever. I mean, I don't mind people asking that at all, but when you've answered it five times...

I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.

That chemistry that we had [with Fred Savage] is very, very hard to find. We were lucky to have those 22 episodes [of The Grinder]. I'm unendingly proud of it.