Some of the '80s movies I did are sort of museum pieces. St. Elmo's Fire is great as a sort of kitschy, "Oh, my god, I can't believe we wore that" type of movie.

When I had my Comedy Central roast, David [Spade] was my first choice to be roastmaster, because I adore him. He's funny as hell, and nobody is meaner.

I think part of maturity is knowing who you are.

We had shot six episodes of the West Wing season when 9/11 happened. An extraordinary thing that would never happen today is Aaron going to the network and saying, "I think we need to go back and reshoot, I have something I want to do," and the network just kind of let him do it.

If people are attracted to me, I like to think it's because I'm an interesting person, fairly smart, well-rounded, with a good sense of humor. I would like to think that's what I am. I would like to think people see it.

We shot every scene of mine in the entire movie in five days. All my coverage, everything. I left. They went back and shot everybody else around me. Insane. The part [Billie in Crazy Six] called for a handsome, coiffed cool guy romantic lead, and I showed up like you see him in the movie. And they let me do it.

[Code Black] doesn't look like any other CBS show... and I don't mean that as any sort of judgment. It's just unbelievably unique, it's gorgeous, and it looks like a film.