Anytime a movie lasts, it's really a thrill. I mean, that people can still pick up on it, and still enjoy it, that makes you feel great.

The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.

People always said, "I can't believe you made a movie that had no script." Yeah, but here's the thing, if you've got actors who are used to that, and that's what they like to do, they're all good improvisers and they're all people that feel comfortable doing that, then you know, it's not that big of a deal. It's what you do.

You never know if anything is going to stand the test of time or going to be successful.

I know how sobering and exhausting parenthood is. But the reality is that our children's future depends on us as parents. Because we know that the first years truly last forever.

If you've ever made up something on the spot and made somebody laugh, you can credit Jonathan Winters with inspiration.

I've known Alan Zweibel since 1975, and I've always had this sneaking suspicion that he might possess a sense of humor. After reading CLOTHING OPTIONAL, I'm almost sure he does.