It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.

The Word 'Repulse': I hate this word. I believe 'repel' is a perfectly good word, and 'repulsion' is the noun, as well as the title of an excellent Dinosaur Jr. song. A compulsion compels you; an impulse impels you. Nobody ever says 'compulse' or 'impulse' as a verb. So why would you ever say 'repulse'? This word haunts me in my sleep, like a silver dagger dancing before my eyes. Renee looked it up and I was wrong. But I still kind of think I'm right.

She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.

Girls take up a lot of room. I had a lot of room for this one.

Tonight, I feel like my whole body is made out of memories. I'm a mix-tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape.

It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you.

In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously.