I don't know that I have a fascination with witches per se - well, maybe I just have a fascination with everything that's weird.

On the first feature, everything's new. No matter what you're doing, it's a new experience, and you don't really have control over it, in a way, because you just don't know how things work.

I guess I get enough real life, in real life, so that's why I like things that are more extreme.

Without really analyzing it, I grew up in Massachusetts, so the Salem witch trials were always something that I was around. The average kindergartner probably doesn't know about it, except that in Massachusetts, you do, because they'll take you on field trips to see reenactments and stuff.

I remember, especially like when I was in high school, going to see like Dawn of the Dead and it was like mayhem in the theater and you could barely even watch the movie. It was so fun.

I know when something is done and when it isn't. There's been times working on movies when they [moviemakers] lock in a release date and so you're stuck to that schedule. But sometimes you're still editing and you feel like you're not really done, but they're sort of releasing the movie anyway - that's kind of depressing.

I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.