Why does everybody thing things are always contractual? I saw a shitload of questions and thought "better keep these answers short or I'll never get to all of these".

I never made movies that had any of my music. I haven't crossed them over that much.

Every time I make a movie I have too many characters and too many locations.

I'm not a big fan of remakes. And even if they are good, they're still not as good as the original, so what's the point?

There are so many projects that don't happen, just sometimes they don't get announced, so no one ever knows about them and you don't have to talk about them.

My advice: Don't quit. When I got to New York City, I lived so far below the poverty line, because I didn't give in and get a job at 7-Eleven. I think you can thrive in misery.

There's nothing weirder than when your band finally gets big and you're playing sold-out arenas and you're selling millions of records, and you dread being a part of it all. It wasn't some master plan to go solo. I was just like, I would rather do my own thing, be happy, and have it be ten times less popular. That was really it. It just wasn't fun, the stress.