My advice: Don't quit. When I got to New York City, I lived so far below the poverty line, because I didn't give in and get a job at 7-Eleven. I think you can thrive in misery.

I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.

I didn't grow up in a creative environment. It was very boring town, boring everything. You go to school and you basically hate all the other kids because you don't understand them or what it's all about. At the same time I'm happy for that because I became very withdrawn and when you become withdrawn you develop your own bizarre-o personality.

All the classic bands that have been around forever, they came up gradually.

The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name

I remember, especially like when I was in high school, going to see like Dawn of the Dead and it was like mayhem in the theater and you could barely even watch the movie. It was so fun.

You can't make everyone happy right away, you can't figure out what people want you to do, you just have to do what you want to do and hope it works out.