The only thing I ever really care about is animals - animal causes. I don't really care about people that much, but animals I feel like they always need to be protected.

To me, horror and comedy never work. Never worked for me, anyway.

The art of moviemaking seems to get thrown away. The cinematography is gone, and the look of everything becomes of little importance. You lose the memorable images; everything looks like it's been shot at night with a security camera.

I don't do anything for the money. I don't need to. I could have retired after White Zombie and been just fine. Money doesn't matter. But there is still a good living to be made, even in the niche. The funny thing is, as time goes on, the niche stuff gets bigger and bigger.

I always liked doing all sorts of different things. As a kid growing up, I was always drawing and painting - always doing art. But I also loved movies and music, so as I started doing everything, I liked every aspect. It's not really that I am a control freak; it's just that is what I love.

Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.

My advice: Don't quit. When I got to New York City, I lived so far below the poverty line, because I didn't give in and get a job at 7-Eleven. I think you can thrive in misery.