There`s always the trick with anything what`s a remake. Like how much do you want to make that is brand new and how much to you want to keep that is original?

I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.

Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.

I like movies where you can come back and re-watch them and admire the cinematography 25 years later.

The thing that I see disappearing is just the love of old movies among kids. Everything's accessible, so you can get it, but when everything's accessible, that means you have to access it. And if you're not interested, you don't.

It's never been about making money.

Growing up, I had the weird fantasy list: I wanted to be Alice Cooper, Steven Spielberg, and Stan Lee. You have to have almost psychotic drive, because you're going to have years of failure.