Ninety percent of people's nightmares is standing in front of 1,000 people. Did you know that? And having to speak. You would have thought it would have been a madman tying you up and taking your eyes out.

My dad? He died when I was 19, which is a bad time for your dad to die, because there's an awful lot of things you have to resolve with your parents past your teens if you've been a difficult teenager.

It was quite instant that he wanted Harry's approval. Did you notice that? And the children sort of rescued him this time. It's a great turnabout. That's what happens as your children get older. They do things for you, and it's quite shocking when they do.

I sometimes worry that all the beautiful things have been made.

If you've got a huge Hollywood star in your film, they're getting $32 million, and everyone else gets their bus fare.

The interesting thing about Hain is that he's not a very interesting character. He's not fabulously clever. He's not a great policeman. He's not hugely charismatic. I'd describe him as a kind-of Chekhovian character. He's an ordinary bloke, to whom extraordinary things have happened. Which is quite hard to play, I have to say.

Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.