Ninety percent of people's nightmares is standing in front of 1,000 people. Did you know that? And having to speak. You would have thought it would have been a madman tying you up and taking your eyes out.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

The person who comes up to you and makes the most noise and is the most intrusive is invariably the person in the room who has no respect for you at all, and it's really all about them.

My dad? He died when I was 19, which is a bad time for your dad to die, because there's an awful lot of things you have to resolve with your parents past your teens if you've been a difficult teenager.

The interesting thing about Hain is that he's not a very interesting character. He's not fabulously clever. He's not a great policeman. He's not hugely charismatic. I'd describe him as a kind-of Chekhovian character. He's an ordinary bloke, to whom extraordinary things have happened. Which is quite hard to play, I have to say.

Once you've been doing anything for twenty-five years people start to notice you.

Believe me, my children have more stamina than a power station.