I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.

I think the shocking thing to discover is the owls are not stupid and very feral, very hard to train.

It's hell with that big beard and stuff. That's the one bit I don't like. Either you take out at lunch or you don't eat. So I opted not to eat, 'cause having to put it on twice is horrific.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

If you've got a huge Hollywood star in your film, they're getting $32 million, and everyone else gets their bus fare.

I've driven all through America and I know there are a lot of clever people between the coasts. But they have a slightly old-fashioned view of the world. Whereas New York is one of the most multicultural, multiracial, tolerant places on Earth.

I went to Glenalmond and got the piss taken out of me for my Glasgow accent. Then I spent five years at this very posh school, came out sounding like Prince Charles, which you have to do in order to survive, and then I got called Lord Fauntleroy for the first six months at art school.