It's like going back to school. You know, autumn! Time for 'Harry Potter'.

It's hell with that big beard and stuff. That's the one bit I don't like. Either you take out at lunch or you don't eat. So I opted not to eat, 'cause having to put it on twice is horrific.

I had a very bad time with acid. I did that classic thing of looking in the mirror by mistake and seeing the devil. But I took it several times, because you always think that next time you might have the wonderful time that everyone else is having.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

When you are new to the business, you think if you give a really bad performance, that's one they will print. You will be judged. You just have to be brave.

See, what you're meant to do when you have a mid-life crisis is buy a fast car, aren't you? Well, I've always had fast cars. It's not that. It's the fear that you're past your best. It's the fear that the stuff you've done in the past is your best work.

Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.