Romance is the truth of imagination and boyhood. Homer's horses clear the world at a bound. The child's eye needs no horizon to its prospect. The oriental tale is not too vast. Pearls dropping from trees are only falling leaves in autumn. The palace that grew up in a night merely awakens a wish to live in it. The impossibilities of fifty years are the commonplaces of five.

Taste is not stationary. It grows every day, and is improved by cultivation, as a good temper is refined by religion. In its most advanced state it takes the title of judgment. Hume quotes Fontenelle's ingenious distinction between the common watch that tells the hours, and the delicately constructed one that marks the seconds and smallest differences of time.

Art, not less eloquently than literature, teaches her children to venerate the single eye. Remember Matsys. His representations of miser-life are breathing. A forfeited bond twinkles in the hard smile. But follow him to an altar-piece. His Apostle has caught a stray tint from his usurer. Features of exquisite beauty are seen and loved; but the old nature of avarice frets under the glow of devotion. Pathos staggers on the edge of farce.

It is only dislocated minds whose movements are spasmodic.

Winckelmann wished to live with a work of art as a friend. The saying is true of pen and pencil. Fresh lustre shoots from Lycidas in a twentieth perusal. The portraits of Clarendon are mellowed by every year of reflection.

One interesting feature of criticism is seen in the ease with which it discovers what Addison called the specific quality of an author. In Livy, it will be the manner of telling the story; in Sallust, personal identification with the character; in Tacitus, the analysis of the deed into its motive. If the same test be applied to painters, it will find the prominent faculty of Correggio to be manifested in harmony of effect; of Poussin, in the sentiment of his landscapes; and of Raffaelle, in the general comprehension of his subject.

The discovery of one star is the promise of another.