But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.

I'm not a person - and my wife also - we don't really go to the beach or anything like that. We go to cities.

I liked the idea of the words floating in space and the space behind it moving all the time, ever changing.

I know where the mistakes are. Nothing is perfect and I understand that.

I just try things and whether people like it or if I find it successful or not, I just do it.

I try not to manipulate reality... What will happen, will happen. Let things be themselves.

By being critical, you also develop your own style of what you like, what direction you want to move.