I am very easy. I like to have my work out. I am not restrictive about any of that. It is the collectors that are possessive, not me, not me.

So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.

You can never really predict how people are going to react, what they're going to think about, whether they care.

ne thing you have to develop as an artist is a confidence in what you're doing and that you're right about it.

I shoot in black and white, sometimes color, sometimes if it looks good I shoot out the window of the airplanes or whatever, anything that - sometimes I secretly take secret photos, shoot video of people on the plane if it's not too crowded. I don't know, whatever comes up.

I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.

I'm my own worst critic. I mean, I know what's wrong with everything that I've done.