I do like certain kinds of frames for work. That's important.

I've always said my biggest influence is my, just, the last work I did, the last piece I made.

You know, there are some people who just don't - that cannot get comfortable behind the wheel of a car and always sort of think they're going to kill somebody.

I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.

I like the work hanging free in the frame. I don't like too much frame around it but I like a little breathing space around the piece.

I always thought there was a - even in the most, quote, "conceptual art," there is always a physical aspect to it. I never knew what the term meant.

And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.