I always thought there was a - even in the most, quote, "conceptual art," there is always a physical aspect to it. I never knew what the term meant.

I was good at art - always good at art.

I've always said my biggest influence is my, just, the last work I did, the last piece I made.

Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.

I'm always looking for relations between my work and the old masters.

I do like certain kinds of frames for work. That's important.

The big thing is I try not to repeat.