I always thought there was a - even in the most, quote, "conceptual art," there is always a physical aspect to it. I never knew what the term meant.

I am an artist who works very well under pressure, in fact. I like to have deadlines.

The big thing is I try not to repeat.

Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.

I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.

Even though you're reading something, it's as though that person who wrote it is speaking to you. It's a form of conversation, really.

I've always said my biggest influence is my, just, the last work I did, the last piece I made.