And when you are operating within your style, which is your world, which you operate in, then it also would make sense to you. Now, whether it makes sense to anybody outside is besides the point really. You just do it and then you find that other people kind of begin to relate to it and allow themselves to get into your way of thinking about things.

I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.

Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.

I do like certain kinds of frames for work. That's important.

Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.

I know where the mistakes are. Nothing is perfect and I understand that.

And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.