You can't make somebody care about what you're doing. Either they get it, either there's that connection - or they don't.

I don't have a dream project. I don't really think in those terms, to tell you the truth.

I never ever approached a dealer. I have always been approached by dealers or curators or whatever.

I know where the mistakes are. Nothing is perfect and I understand that.

I work with deadlines. It is terrible to be an artist where you are just producing work and nobody gives a damn. Nobody wants to show it.

I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.

I didn't know my grandparents. They were - my grandfather - my maternal grandfather died when I was five. I have very little memory of him. All my other grandparents were dead by the time I was of any age to remember anything.