From this new point of view, the universe I had inhabited became an object I could perceive in its entirety. It was a hypersphere embedded in a cloud of alternative states - the sum of all possible quantum trajectories from the big bang to the decay of matter. "Reality" - history as we had known or inferred it - was only the most likely of these possible trajectories. There were countless others, real in a different sense: a vast but finite set of paths not taken, a ghostly forest of quantum alternatives, the shores of an unknown sea.

Evolution can't be predicted, Julian used to tell me; it's a scattershot business; it fires, but it doesn't aim.

These movies belonged to the twentieth and early twenty-first centuries that period of great, unsustainable, and hedonistic prosperity, driven by the burning of Earth's reserves of perishable oil, which culminated in the False Tribulation, and the wars, and the plagues, and the painful dwindling of inflated populations to more reasonable numbers.

This would have been less annoying had it been untrue.

From this new point of view, the universe I had inhabited became an object I could perceive in its entirety. It was a hypersphere embedded in a cloud of alternative states - the sum of all possible quantum trajectories from the big bang to the decay of matter. "Reality" - history as we had known or inferred it - was only the most likely of these possible trajectories. There were countless others, real in a different sense: a vast but finite set of paths not taken, a ghostly forest of quantum alternatives, the shores of an unknown sea.

Children wear their natures like brightly-colored clothes; that's why they lie so transparently. Adulthood is the art of deceit.

Times like this, with the wind moving the grass and curling around her like a huge cool hand, Tess felt the world as a second presence, as another person, as if the wind and the grass had voices of their own and she could hear them talking.